Camera
Description:
Large, high-end cameras mounted on a pedestal base with wheels, allowing smooth movement around the studio floor.
Features:
Heavy-duty for large image sensors and long lenses.
Pedestal allows vertical movement without tilting the camera.
Can integrate with teleprompters.
Use Case:
Live TV shows, news broadcasts, talk shows, sports studios.
Description:
Smaller, portable cameras operated by hand, even in a studio environment.
Features: Lightweight and mobile.
Often shoulder-mounted or handheld.
Quick repositioning for energetic shots.
Use Case:
Dynamic, close-up shots, audience interaction, music videos.
Description:
Remotely controlled cameras that can pan, tilt, and zoom via a control panel.
Features:
Compact and mountable on walls or ceilings.
Can be controlled by a single operator.
Often IP-connected for remote use.
Use Case:
Small studios, live streaming, conference broadcasts.
Description:
Cameras shaped like a rectangular box without built-in viewfinders or grips—used mainly with studio lens systems.
Features: Interchangeable broadcast lenses.
High-resolution sensors for TV production.
Integrated with studio control units (CCU).
Use Case: Professional multi-camera setups in studios.
Description:
Smaller, portable cameras operated by hand, even in a studio environment.
Use Case:
Dynamic, close-up shots, audience interaction, music videos.
Features:
Lightweight and mobile.
Often shoulder-mounted or handheld.
Quick repositioning for energetic shots.
Description: Traditional ENG/EFP (Electronic News Gathering/Field Production) cameras adapted for studio use.
Features:
Shoulder-mounted for mobility.
Can be placed on tripods in studio mode.
Use Case:
Hybrid productions where cameras are moved between studio and field.
Description:
Consumer or prosumer still cameras adapted for video production.
Features:
Affordable and compact.
High-quality image output.
Require external HDMI capture systems for live broadcast.
Use Case:
Budget studios, YouTube channels, interviews.